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October 14th, 2006 |
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Prior Years |
Grandson of Sangita Kalanidhi Sri Viswanatha Iyer and son of Sangita Kalanidhi Sri Maharajapuram Santhanam, Sri Maharajapuram Srinivasan is an acclaimed musician in his own right. He has been giving individual concerts since 1986. He has had the good fortune of being the primary disciple of both his grandfather and father and has imbibed their rich musical heritage. He has performed all over India in all leading sabhas. He is also regularly performing for Doordarshan and AIR as an ‘A’ grade artiste. He has accompanied his father in all his concerts both in India and abroad. Endowed with a fine feeling for melody, he is striving to admirably combine the lakshana and lakshiya styles handed down to him by his ancestors.
He has received many awards including, Asthana Vidwan of Vysaraya Mutt, Asthana Vidwan of Sri Kanchi Kamakoti Peetam awarded by Sri Jayendra Saraswathi on the occasion of his 70th birthday celebrations. He was awarded Simha Dwani Samrat by Pujya Sri Swamiji of the Vysaraya Mutt, Best Vocalist in the Sub Senior category from the Music Academy in 2000 and has received rave reviews from senior music critics appreciating his performance in various concerts.
His son M.S.Ganesh Viswanathan is a child prodigy who has won the appreciation of many and has been performing individual concerts and is also accompanying his father in concerts all over the world.
Kallidaikurichi S.Sivakumar hails from a musical family. Siva Kumar had an interest in laya from an early age of five. Discovering the interest of Sivakumar, his parents took him to his guru Vaitheerswaran Koil Sri.S.Vaidyanathan. He had his tutelage from the age of seven and started accompanying concerts from the age of sixteen. Vairamangalam Sri.Lakshminarayanan, who had deep interest in Sivakumar’s upcoming, took him to the mridangam maestro, the veteran Padmasri Palghat R.Raghu.Sivakumar has played in all the reputed organizations all over the country. . He is the recipient of the first prize in the 1990 mridangam competition conducted by Maharajapuram Viswanatha Iyer Trust.
Sivakumar has traveled widely and has accompanied senior artists like N.Ravikiran, Smt.Charumathi Ramachandran, Sikkil Sisters, Malladi Brothers and Vijay Siva.
Violinist R.Sathish Kumar is a disciple of Violin Maestro Sangeetha Kalanidhi Sri.M.S. Gopalakrishnan. He has also been undergoing intense training from Vidwan Sri Palghat T.R.Rajaram. This has made him understand the subtle nuances in vocal music and thus it has enabled him to provide adept and comfortable violin support to all vocalists. Having won several prizes and awards from various sabhas and institution in and out of Chennai, he started to step into concert platform at the age of eight.
He has performed over 500 concerts throughout India. He has accompanied leading vidwans like Mandolin Srinivas, T.V.Gopalakrishnan, Nithyasrree Mahadevan and Sudha Raghunathan etc. He is also a graded artist of AIR and Doordarshan.
He has received Best Violinist Awards from Maharajapuram Viswanatha Iyer trust, Navras Recording Company-London, Sri Parthasarathy Swami Sabha, Sri Krishna Gana Sabha and Mylapore Fine Arts Club for the December Music Festivals. He was also winner of the National Level competition held by AIR – Chennai in the year 1998 and was awarded a direct graduation by the Music Audition Board.
Sundar had his initial training
from his aunt Smt. Ananthalakshmi Sadagopan and his advanced
training with Madurai T.N.Seshagopalan. During the five years at
IIT Madras, he had the opportunity to compete in the music
competitions in Chennai and also to attend music concerts
regularly. Thereafter he joined the Indian Institute of
Management at Ahmedabad and got an MBA in Finance and Computer
Systems. Despite the busy schedule, he found opportunities to
both practise and perform carnatic music. Sundar has been
pursuing a dual career at Detroit since 1989 - IT Manager and
musician-cum-teacher. Along with his wife Padma he runs the
Trinity Academy of Fine Arts and offer one-on-one lessons in
vocal music. Sundar is a popular vocalist giving regular
performances both in US and in India.
Kalpana Venkat, formerly Kalpana Kishore, began her training on the violin at the age of six under her mother, Seetha Kishore and continued with Sangeetha Chudamani Smt. T. Rukmini. Kalpana has accompanied several top ranking carnatic musicians from both the senior and current generations. Kalpana has won several awards over the course of her career, including numerous awards from The Music Academy, Madras. She was also awarded the ‘Yuva Kala Bharathi’ in 1993. by Bharat Kalachar. She holds a Masters degree in Carnatic Music from Madras University. She has also released numerous cassettes and CDs of her solo and jugalbandhi performances. She is an ‘A’ grade artist of All India Radio and has performed on Indian national television and radio on numerous occasions.
Vinod Seetharam started learningmridangam at the age of seven from Sri Ardhanareeswaran and later from Shri Umayalpuram Sivaraman. Is now having advanced training from Bangalore Arjun Kumar. Has accompanied a host of leading vidwans and vidhusis at several prestigious organizations in India, USA, and Canada. Has won many music competitions and prizes and is a graded AIR artist with many radio and television concerts to his credit. Holds a master's degree in Industrial technology and is pursuing a career at Ford Motor Company.
Ravi Balasubramanian has been playing the ghatam for about 11 years and learnt the art from great teachers like Palghat P.K. Sekar (Ranganathan), Sangitha Kalanidhi Dr. T.K. Murthy, and V. Suresh. In December 2003 he received the title 'Yuva Kala Bharati' from Bharat Kalachar in Chennai. He has played in many concerts in India, USA, Canada, Singapore, Malaysia, and Australia and accompanied a host of prominent musicians. Ravi is a welcome presence on the concert platforms both in U.S. and India. He is a graduate student specializing in robotics at the Carnegie-Mellon, Pittsburgh.
Prof. S R Janakiraman, received training under several great masters. such as Tiger Varadachari, Budalur Krishnamurti Sastri, T K Ramasami Ayyangar and Kalpagam Swaminathan at Kalakshetra, and Musiri Subramanya Ayyar, Tiruppambaram Swaminatha Pillai, Mayavaram V V Krishna Ayyar and T Brinda at the Central College of Carnatic Music. He was trained in musicology by Profs. P Sambamurti, Balakrishna Ayya and P K Rajagopala Ayyar. In addition to his gurus' immense
knowledge and wisdom, Janakiraman also imbibed a style of presentation with powerful delivery, _expression, and diction. His method of analysing original treatise and of evolving ones own ideals and concepts soon placed him high in the annals of musicology in India.
Janakiraman has taught musicology at various levels, including advanced, graduate and post-graduate courses for over 30 years. He was the Head of the Dept. of Musicology at Sri Venkateswara College of Music, Tirupati. Later he was associated with The Music Academy, Chennai as a Research scholar and an Advisory Member of the Experts Committee. He is currently the Principal of Music Academy's Teachers College of Music inChennai.
Janakiramans excellence in the theoretical and practical aspects of music earned him several titles including Sangita Siromani, Sangita Kala Acharya, Kalaimamani, and the Sangeet Natak Akademi Award.
He has authored several books including Sangita Sastra Saramu three volumes of Raga Lakshanas & Ragas of Saramrta, He has presented a 3-hour video documentary titled Varna through the Ages and an audio-visual dissertation on the 72melakartas.
His lecture-demonstrations are not only instructive but also inspiring, and have drawn august audiences from all over the world.
Jayshankar hails from a family of musicians. He learnt violin from Alamelu Subramanian and later from T.S.Krishnaswamy and N.S. Chandrashekaran in Bombay. Presently he is under the guidance of Madurai Sundar. He has worked with several leading artists such as Shri T.N. Seshagopalan, Dr Yesadas, Nedunuri Krishnamoorthy and Ravi Kiran. He is a graded artist of AIR and has represented India in major international cultural festivals. He holds a Masters in Computer Science and a MBA in International Finance and is settled in Michigan.
Vinod started learning mridangam at the age of seven from Sri Ardhanareeswaran and later from Shri Umayalpuram Sivaraman. Is now having advanced training from Bangalore Arjun Kumar. Has accompanied a host of leading vidwans and vidhusis at several prestigious organizations in India, USA, and Canada. Has won many music competitions and prizes and is a graded AIR artist with many radio and television concerts to his credit. Holds a master's degree in Industrial technology and is pursuing a career at Ford Motor Company.
Chitravina N. Ravikiran
Chitravina N Ravikiran was hailed as an unprecedented phenomenon when he took the music world by storm at the age of two (in 1969) and again when he presented his first recital, a 3-hour vocal concert at age five.He gave his first instrumental concert on the Chitravina when he was 11 and a record setting 24-hour non-stop recital with no breaks when he was 18.
Today, he is renowned as one of the preeminent virtuosos in the world who has taken slide instrument techniques to unsurpassed heights. A versatile composer who has composed over 500 pieces, Ravikiran is the creator of Melharmony, an exciting concept that has added color to world music.
Also lauded as a vocalist of class, Ravikiran has set standards that have inspired several others to emulate him. He is constantly out to expand his horizons, be it through collaborations with top-notch world music maestros or designing new instruments such as the navachitravina.
His accomplishments, though widely reported and documented across the world, read like a fairy tale. But they are not the sole reasons for his uniqueness. He is a multi-faceted genius with far-reaching goals and objectives.
The media acclaim Ravikiran:
Infinite capacity for micro-tonal shadings reminiscent of the human voice the core of Carnatic music played with teasing precision (The New York Times); ...an impressive solo on the wonderfully resonant chitravina (The BBC Music Magazine, UK; "...one of the world's greatest slide players - whose instrument is NOT a guitar! ...an amazing slide player in anybody's language. "; Radio National, Australia)
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Rohan KrishnamurthyMaster Rohan Krishnamurthy, who lives in Kalamazoo, Michigan, began learning mridangam at the age of eight under Damodharan Srinivasan. Rohan met the famous Guruvayur Dorai in Michigan and the latter agreed to train him. Rohan has performed in many concerts in the US and won first prizes in several competitions held by various Thyagaraja Aradhana festivals, in particular the junior and senior prizes in Cleveland. Since 1998, Rohan has been a constant presence in the annual Chennai music festival . He has accompanied leading musicians both in India and in US and has drawn rave reviews. He was conferred the title yuvakala bharati by Bharat Kalachar in 2003.
He exhibited a rare intuitive capacity to identify ragas at the age of four. He received his initial training in music from his mother, and later from Sangita Kalanidhi Sri D.K. Jayaraman since 1977. During this time he was the recipient of Government of India Cultural Scholarship for vocal music. Passed the Higher Grade Examination with distinction in vocal music conducted by the Tamil Nadu Government and Sangeet Alankar Course conducted by the Gandharva Mahaviyalaya, New Delhi. At present receives guidance in vocal music from Sangita Kalanidhi Smt. D.K.Pattammal.
Is an accomplished Mridangist, having been trained by Kumbakonam Sri Rajappa Iyer. Secured more than hundred prizes both for vocal music and for mridangam.
Participated in the Music Festivals at home and abroad. Awarded "Youth Award for Excellence" in 1995, the title "ISAI PEROLI" in 1995 and the "Kalki Krishnamurthy Award" in 1996).
Vijay is the founder Secretary of the Youth Association for Classical Music (YACM) an organization to promote young Musicians and rasikas.
Shriramkumar is the grand son the atna' Shri R.K. Venkatrama Sastri. He learnt initially under Smt Savitri Satyamurthy and was later trained by his grandfather and had advanced guidance from the famed violinist Professor V V Subramanyam. He has also had training in vocal music from Sangita Kalanidhi Late Shri D.K. Jayaraman. He is a leading violin artist providing accompaniment to all the prominent Carnatic musicians. He has also given many solo violin concerts and reached a high level of proficiency and stature at a very young age.He has accompanied doyens like Semmangudi Srinivasa Iyer, M.S.Subbulakshmi, D.K.Pattammal and his guru (late) D.K.Jayaraman, T. Brinda, K.V.Narayanaswamy, N.Ramani, and Dr. M. Bala-muralikrishna. He has toured US, and many other countries in Asia, Europe and Australia.
Vaidhyanathan is a highly sought-after mridangist of the day. He is the son of Sangeetha Kalanidhi D. K.Jayaraman and the nephew of Padma Bhushan D. K.Pattammal. He has received advanced training from Sangeetha Kalanidhi T. K. Murthy. He has won numerous prizes and awards. He has accompanied leading musicians such as M. S. Subbulakshmi, D. K. Pattammal, M. L. Vasanthakumari, D. K. Jayaraman, S. Ramanathan, K. V. Narayanaswamy, B. Rajam Iyer, T. N. Krishnan and M. S. Gopalakrishnan. He has toured USA, Australia and Singapore.
T. R. Subramanyam, or TRS as he is more popularly known amongst most music loving rasikas is a vidwan with uncommon traits. He is unconventional in the sense, that he is a daredevil willing to explore new avenues, regardless of whether his new ideas are accepted or not. He may not start his concert with a traditional varnam or a kriti on Ganesha. On one occasion, the opening item of his concert was a javali in Kapi ragam!
TRS is scholarly and original in his approach to learning new kritis. Though TRS is a multilinguist, until he is confident of the meaning of song- whether the kriti is in Telugu, Kannada, Sanskrit or Tamil, he will not attempt to sing it. Before presenting a new kriti at a concert he pays particular attention to learn the correct words of the sahitya and the correct pronunciation of each word. When TRS renders a kriti, each sangati is rendered with clarity allowing the listener to pick up the words of the song.
In his swaraprastharas, he uses swarams intelligently- he is skillful on the use of swaraksharams. If for instance, he is attempting swara prastharas for a sahitya like - Paramapavana - he will use swarams such as Pa, Ri and Ma to correspond with the sahitya.
TRS as a teacher is unmatched for his enormous patience and understanding. He quickly becomes aware of the limitations of each of his students. He modifies his teaching technique to each individual student in such a way that the student is easily able to comprehend the nuances of the raga bhavam and develop an understanding of the different sangatis in a particular sahityam. I have witnessed TRS encouraging his pupils with his everpresent smile and going through the sahityam with the student several times till the student completely grasps it and is comfortable singing the sahityam.
It is not unusual for TRS to have younger artistes with limited concert exposure to accompany him during his concerts. The ragam-tanam-pallavi is TRS's forte. He is likely to pick a rare raga like Hemavati with an uncommon tala and an unusual eduppu. He has mastery over 'kanakku', (rhythmic arithmetical calculations). Junior artistes enjoy accompanying TRS because he is never one to embarrass them, if for instance the accompanying artistes do not get a particular piece right the first time, he will skillfully assist them.
TRS's lecture demonstrations on rendering pallavis are widely appreciated by both rasikas and students of music. They are so popular that they attract sizeable audience. TRS's skill in rendering the ragam-tanam-pallavi is unrivaled.
TRS is a disciple of Musiri Subramania Iyer. Prior to learning from Musiri, he learnt music from other teachers. He has formally graduated from the University with college degrees. TRS has expressed his fascination for GNB's music and talks glowingly about GNB's skill as a musician.
TRS has also composed some varnams, kritis and tillanas. He occasionally renders his compositions in concerts. He has also tuned some Purandaradasa kritis. TRS has a wide repertoire of songs which he sings in concerts, many of which include compositions of modern composers.
TRS retired a few years ago from the University of Delhi, where he was a Professor in the Department of Music. He is highly respected by all his former students for his knowledge, skill as a concert artiste, his patience as a teacher and his charming demeanor. Anyone who has had the privilege of interacting with TRS will agree on this count.
Ashwin & Rohin Iyer
Ashwin Iyer and Rohin Iyer had their initial training in Toronto, Canada under Smt. Renuka Balachandran and Smt. Vasumathy Nagarajan. During their summer holidays, they periodically undertook advanced training, at the Sri Venkateswara Temple in Pittsburgh, under senior musicians and musicologists, including Shri T. R. Subrahmanyam and Shri T. K. Govinda Rao, USA and in Chennai, respectively. In 1993, they were fortunate enough to receive training in Pittsburgh under Sangita Kala Acharya Shri S. R. Janakiraman, and have remained under his sole guidance and tutelage since 1998. The brothers have participated in various music competitions across North America, including the Cleveland Tyagaraja Aradhana, Cleveland, USA. They have performed at numerous venues in Canada, the US, and India. Ashwin is currently pursuing his PhD in Electrical Engineering at the University of Toronto, and Rohin is pursuing a Bachelors degree in Biomedical Engineering, also at the University of Toronto. The brothers plan to continue their study of Carnatic Music.
Ravishankar Rajagopalan was initiated into violin at the age of 8 under the guidance of Shri T.V. Ramanujacharlu, a renowned violinist working with All India Radio(AIR), Tiruchirapalli. He also had brief opportunities to learn from Tiruppur Shri. Mohan (AIR, Coimbatore), and Shri N.C. Madhav (AIR, Vizag) during his formative years. He has been performing as a concert accompanist since 1995 and has also given duet concerts along with his guru. He is a recipient of The Senior Government of India scholarship. He is trained in vocal music as well by his father Shri K. Rajagopalan, a disciple of Tiger Shri.Varadachari. Ravishankar is currently pursuing his Ph.D. in Industrial & Systems Engineering at The Ohio State University, Columbus.
Sriram trained under Mridanga Vidwan Guru T.S. Nandakumar of Mumbai for over a decade and has carved out a niche for himself on both the Mridangam and Kanjira. Has accompanied renowned musicians like N. Ramani, T.N.Krishnan, T.K. Govindrao, T.N. Sheshagopalan and Ustad Zakir Hussain. He has won over twenty awards at competitions organized by leading institutions. He is a graded artist of All India Radio in Mridangam, Kanjira and Ghatam. He was awarded the prestigious Junior Fellowship by the Government of India for developing a website on Carnatic Percussion Music. He has been regularly giving performances on AIR , Doordarshan and several leading sabhas all over India and North America, including sabhas in Madras like the Narada Gana Sabha and Naadopasana of Madras.
Sriram has a Ph.D in Chemistry from the Bhabha Atomic Research Center, Mumbai. He is presently pursuing post-doctoral research at McMaster University.
Karthik has grasped the intricacies of the kanjira in the past few years. under the guidance of the famous mrdanga vidwan Sri.Srimushnam Raja Rao. He has accompanied many local artists as well as musicians visiting North America. He took up the kanjira as he felt the art of playing this instrument was becoming rare and there were few practitioners in North America, let alone in India. Karthik is very much involved in the sponsoring of carnatic music tours in North America being a volunteer with Bhairavi fine arts and Cleveland Aradhana committee. He is also the sound engineer for concerts in Toronto. He holds degrees in electrical engineering, computer science and an MBA from the State University of New York. Currently, he is employed as a M.I.S. Director.
Ram Prasad and Ravi Kumar (aka Malladi Brothers) received their training from their father Sri Malladi Suri Babu, a student of late Voleti Venkateswarulu, himself a disciple of Dr. Sripada Pinakapani. They received additional training from two Sangeetha Kalanidhis - Pinakapani himself and his other well-known disciple, Nedunuri Krishnamurthy. Their music naturally has the influence and style of the Pinakapani school, known for its high standard of manodharma and creative excellence. The brothers possess a large repertoire of carnatic musical composition of the Musical Trinity, Kshetrayyapadams, jawalis, Annamacharya kritis, etc. The brothers bagged several national awards in Classical, Light Classical and Light Music from All India Radio competitions during 1989 to 1994; the Voleti Venkateswarulu Memorial Award, in both 1994 and 1995, for the best concert at Sri Krishna Gana Sabha, Chennai; the best concert award from the Madras Music Academy in 1998 and the Srirangam Gopalarathnam Memorial Award the following year. The brothers are post graduates in Carnatic Classical Music from Andhra
University and "A" grade vocal musicians of All India Radio.
Embar S. Kannan, is highly accomplished as a violinist and is in the forefront of violinists of the younger generation. His bowing technique is of high quality, marked by sweetness and clarity. Kannan is a disciple of Smt. Kanyakumari. Kannan is the recipient of many awards and honors for both his solo and his accompanying skills. He is an A grade artist of the All India Radio (AIR) and has played solo concerts and violin duets with his guru.He has accompanied many leading artists such as T.V.Sankaranarayanan, Trichur Ramachandran, T. N.Seshagoplan, Sudha Raghunathan, Kadri Gopalnath, Unnikrishnan, and Sowmya. He has also traveled widely and performed in concerts in USA, Europe, and the Far East.
Hailing from a family of mridangists, Arjun Kumar was initiated into the art of mridangam playing at the young age of five by his father, Sri. Arjunan, one of the very senior artists in the field of percussion. He then came under the tutelage of the mridangam legend, Sri. Umayalpuram K. Sivaraman. Kumar soon became one of the youngest 'A' Grade artists of All India Radio and Television. He has played in prestigious programs such as the South Zone Hook Up and the All India Sangeetha Sammelan. He has traveled widely and performed in concerts with senior artists in US, Canada and other places.
Krishna (b. 1976) is one of the leading young artists in the field of carnatic music today. From a tender age, he exhibited talent for classical vocal music and his mother put him under the tutelage of Vidwan Sri Seetharama Sharma from whom he has been learning ever since. He is also learning from Dr. Semmengudi Srinivasier and took special training in pallavi singing with Sri Chengalpet Ranganthan. He is known for his tremendous Manodharma (Imagination) and Sampradaya (Traditional) Sangeetha (music). His complete involvement in the music and his ability to gracefully develop the ragas have left many a listener enraptured. His renditions of vilamba kalam (slow tempo) compositions are soaked with bhakthi (devotion) and bhava (emotion). He has traveled widely in India and abroad and won applause from connoisseurs and critics. He has received numerous awards and titles from many leading organizations such as: Best main performer- Youth Association for Classical Music- 1989, CMANA prize for Talented vocalist under the age of 25- Madras Music Academy -1994 & 1995, Best junior vocalist –Krishna Gana Sabha-1995 , Musician of the year – Narada Gana Sabha-1995 , Ariyakudi Ramanuja Iyengar award - Music Academy- 1996, ‘Yuva Kala Bharathi’- Bharath Kalachar – 1997, Srirangam Gopalrathnam award – Music Academy – 1998 , G.Rama-krishna Iyer award - Music Academy – 1999 , Best senior performing artist – Music Academy - 2001 , Youth Award for Excellence – Maharajapuram Vishvanatha Iyer Trust - 2001 , Kalki Krishnamurthy Award – 2001.
R.K. Shriramkumar is the grandson of renowned violinist Sangeetha Kalaratna R.K. Venkatarama Shastry. After initial training on the violin from Smt Savitri Satyamurthy, Shriramkumar had advanced training from his grandfather and later from Prof.V.V. Subramanyam. Shriramkumar has also had formal training in vocal music from Sangeetha Kalanidhi D.K. Jayaraman. He had the privelege of accompanying some of the legends of Carnatic music like Semmangudi, MS, DKP and Balamuralikrishna. Shriram is also most sought after among the younger generation accompanying them with unfailing regularity. He also goes on frequent foreign trips with artistes such as P.Unnikrishnan, Sanjay Subrahmanyan, TM Krishna and Vijay Siva. He received several prizes and endowment awards from institutions like The Music Academy, Indian Fine Arts Society, and Mylapore Fine Arts Club. He received the title of Yuva Kala Bharathi from Bharat Kalachar and the Kalki Krishnamurthy Memorial Award. Shriram is a follower of Papa bhani patented later by his grandfather, Shri T.N.Krishnan and his guru Shri VVS. In 2002 he received the title of Nada Oli from Nada Inbam."
Arun Prakash is the son of music composer L.Krishnan and has learnt the mrudangam from Shri Ramanathapuram M.N.Kandaswamy Pillai. A left handed mrudangist Arun is very popular among the present generation playing regularly with Sanjay Subrahmanyan, Unnikrishnan, Bombay Jayashri, T.M.Krishna and the likes. He has also accompanied seniors like KVN, DKP and TNS. Arun works for the Indian Railways in Chennai. Arun has recieved many prizes and awards including the Yuva Kala Bharati and the Kalki Krishnamoorthy award besides the Best Mrudangist from the Music Academartists in US, Canada and other places.
B.S. Purushotham is the most sought after Kanjira player today. He has studied under Bangalore ML Veerabhadraiah, Sri V. Praveen and Sangitha Kalanidhi TK Murthy. He has accompanied leading artists like KV Narayanaswamy, M.Balamuralikrishna, Lalgudi Jayaraman, and others. He has traveled around the world and performed in major festivals including Adelaide World Music Festival, World Drummers Meet Stockholm and the Hanover World Expo 2000.
Manjula Surendra is an accomplished veena artist following the Mysore Bani. She was initiated into music by her father late. Sri. Subramanya Bhatt, mother Smt. Usha Bhatt and Uncle Vidwan Sri. Sripada Bhat. She had her initial training from Vidhudhi. Smt. Gnanambal. She continued her training with Late. Mysore. Sri. C. Krishnamurthy. Presently she is under the able guidance of Ganakalasri Vid. D. Balakrishna (son and disciple of Padmabhushan Dr. V. Doreswamy Iyengar) and Ganakalasri. Vidhushi Smt. M.S. Sheela.
Manjula is a recipient of various prestigious scholarships from renowned organizations like the Karnataka Sangeetha Nritya Academy and from the Ministry of Human Resource Development, Govt. of India. She was awarded the Best Musician Award at the Bangalore Gayana Samaja.
Manjula has performed in various sangeetha sabhas and music festivals solo and as an accompaniment to her Guru Vidwan D. Balakrishna. She has received considerable media acclaim; e.g. "....She displayed an excellent command over laya combined with keen aesthetic sense to make the concert an enjoyable one." THE HINDU (2004).
Sriram Satagopan learnt Mridangam for about 3 years from Shri.Gandeeravan and then for about 2 years from Shri. Madhusoodhanan (both from Srirangam). After moving to Chennai, he was under the tutelage of Kutralam Shri. Viswanathaiyar for a while, before joining Nanganallur Shri. Sriram (a disciple of Karaikudi Shri. Mani). He has won several prizes in music competitions in school and in inter-hostel competitions at IIT-Bombay. Sriram has given a lot of performances as part of music troupes at school, IIT-Bombay, and in Nebraska, USA. He has completed his Ph.D in Biochem from the University of Nebraska-Lincoln and is currently a post-doctoral researcher at The Ohio State University.
Nagamani Srinath started her training at an early age of 5 and at 9 had her first concert. She is a disciple of “Musician of Musicians” late Sri Ramanad Krishnan. Learnt the nuances of music under famous musicians such as Vidwan Sri Arakere Narayana Rao, Sri Ramaratnam, Sri T. M. Tyagarajan, Sri D. K. Jayaraman, Sri K. V. Narayanaswamy, Professor. T. N. Krishnan, Vidushi Brinda, Vidushi Muktha, Smt Gowri Kuppuswamy and Sri R. Venkateswaran. She is also an astute grammarian with a deep insight into the facets of carnatic music. She has enriched the field by providing new nuances to the traditional and established compositions of famous composers of yester years. She holds M. A. (Music), Mysore University, Vidwat (Music) – Government of Karnataka and Post Graduate Diploma in Music –Tamil Nadu Government , all with a First Rank. She is currently Professor and Head of the Department of Music, Government Maharani’s College, Mysore University. She is the receipient of many awards from prestigious institutions like the Madras Music Academy and titles such as Ganasaraswathi (Vice President of India), Ganakalasri (Ganakala Parishat), Sangeetha Saraswathi (Udipi Pejawar Mutt), Karnataka Kalasri (Karnataka Sangeetha Nritya Academy) and Rajyothsava Prashasthi (Karnataka State Award). She has composed more than 200 pieces of her own - Varnas, Tillanas and Kritis - in rare ragas and in Sanskrit, Kannada, Telugu, Tamil.
She has recorded a number of audiocassettes and has done yeoman service for the propagation of Haridasa composition. Her recordings include more than 20 discs on Haridasa Kirtanas, Slokas, Vachanas, Sangeetha roopakas, Classical Carnatic Music and Jugal Bandis. She has traveled extensivelyis. She has traveled extensively both in India and abroad and is an “A” grade artist of AIR and Doordarshan.
R. Chandrika learnt music from Vidushi Nagamani Srinath and Vetern Vidwan R. K. Srikantan. She has many audio and CDs to her credit released by well known organizations. She has won both Central and State Government Scholarships for learning Carnatic music, at a very young age. She started giving concerts at the age of 15 and has been performing for many reputed organizations all over India. She has traveled abroad and given concerts. This is her first visit to the United States. Chandrika is a double graduate, working as a Staff Artist in All India Radio. She is a “A” graded artist in AIR and Doordarshan.
Raghavendra Rao was initiated into music at an early age of five by his father B.Sudarsana Rao. He trained rigorously on the violin for several years and is at present a disciple of the violin “Maestro” Sangeetha Kalanidhi Shri.T.N.Krishnan. He also received invaluable guidance and concert experience from Dr.M.Balamuralikrishna. He has won several prizes and awards from various sabhas in Madras. He has participated in the prestigious Bharat Cultural Integration Committee's (B.C.I.C) music festivals organised all over India. He has traveled extensively both in India and abroad. His devotion and quest for perfection is obvious.
Melakaveri K. Balaji had all his training in Mridangam beginning at the age of nine under the tutelage of his father Mridanga Vidwan Melakaveri K. Krishnamurthy. He has been a professional Mridangam Artist since he was 14 years old and has regularly provided percussion support to almost all Senior/Junior Vidwans and Vidhushis both in their vocal and instrumental music concerts all over India and abroad. He has also extensively traveled all over the world. He is the recipient many awards from music organizations like Madras Music Academy , Bharat Kalachar. He is a B-High Grade Artist in Mridangam for All India Radio, Madras.
Udupi Sreedhar has had his initial training in Mridangam under Karamana Sri Krishnankutty Nair from the age of 8. He received advanced training in Mridangam from Late Padmashree Mavelikkara N. Krishnankutty Nair. He subsequently learned Ghatam frolm Vidwan Kalaimamani Sri K. M. Vaidyanathan. He is a graded artiste of All India Radio – “A” grade in Ghatam and “B” High Grade in Mridangam, He has been providing accompaniments for eminent vocalists and instrumentalists for their performances throughout India and abroad., He has been featured in various programs in All India Radio and Doordarshan in the National networks including Akashvani Sangeetha Sammelan programs. He has traveled extensively all over the world. Sridhar is a Post-Graduate in Commerce and is now working for Union Bank of India, in Trivandrum.
Lalgudi GJR Krishnan & Lalgudi Vijayalakshmi
Padma Bhushan Lalgudi Sri G Jayaraman entered the scene of Carnatic music more than six decades ago as a young and talented violin artist and established the Lalgudi tradition for classicism, perfection, rhythmic precision and melodic appeal. Lalgudi G.J.R. Krishnan and Lalgudi Vijayalakshmi are the children and worthy disciples of the great maestro.
Krishnan’s concert debut in 1973 heralded the arrival of a worthy successor to the ‘Lalgudi’ school. He has since given hundreds of concerts both as a soloist, accompanist to main artists, violin duets with his father and more recently with his sister Vijayalakshmi as well as violin trio concerts featuring the father and the two siblings. He has also participated in jugal bandhi concerts with Hindustani musicians. He has been awarded innumerable prestigious titles and recognitions including: Jaycees award in 1981, the Best Violinist award in 1986 from the Madras Music Academy, Bharat Kalachar's Yuva Kala Bharati in 1987, the creatalent award in 1990, the coveted "Isaiperoli" from Karthik Fine Arts in 1992, the Rajamanickam Pillai award from Sri Ragam Fine Arts in 1997 and the Rotary Award for Vocational Excellence in 1997 from the Rotary Club of Nanganallur. He has been conferred the title "Sangeetha Choodamani" by Sri Krishna Gana Sabha, Chennai, as also being the recipient of the Kalki Krishnamoorthy Award, both in the year 1998. He has been recently awarded the prestigious title "Nadabhushanam" in 2004 by Sri Shanmukhananda Sangeetha Sabha, New Delhi. He has numerous releases of audio cassettes and CD’s, He has traveled extensively all over the world.
Vijayalakshmi commenced her music lessons at the age of six with her father and at thirteen, she went on stage for the first time with him. Since then, she has been performing regularly in violin duets and trios with her father as well as her brother Krishnan. She has travelled widely on concert tours both in India and abroad, and has performed in countries all over the world. She also has led a music ensemble of the Violin, the Venu or flute and the Veena, a concept originally introduced by Sri Lalgudi Jayaraman and performed over 50 concerts all over India. In recent years, she also has provided superb violin accompaniment to several leading musicians. She is also a very talented vocalist. She has won several awards and titles. In 1990, she was conferred the Creatalent award in recognition of their music. She received the Yuva Kala Bharati from Bharat Kalachar in 1993, the 'Kalki Krishnamoorthy Memorial Award' in 1998 and the 'Best Accompanist Award' from the prestigious Madras Music Academy in 2002. She holds a Master of Arts in English Literature and a Diploma in Music.
Neyveli B. Venkatesh started training in mridangam with his father S. Balaraman. Had advanced training from Ramanathapuram M.N. Kandaswamy Pillai and P. P. Venkatesan. Has been on the concert stage from the tender age of ten and has accompanied many famous artists such as Dr. K. J.Yesudas, U. Srinivas, Kadri Gopalnath, Dr. N. Ramani, T. N. Seshagopalan etc. Venkatesh is noted for his excellent support of the main artist. Has traveled to South Africa, UK, Switzerland, Italy, Denmark, Belgium, Holland, France, Germany, Austria , US and Canada.
Tripunitura Radhakrishnan learned the art of mridangam and ghatam playing initially from father Narayanaswamy and later under his illustrious cousin, T. V. Gopalakrishnan. He has secured degrees in both Mridangam and Ghatam and is a lecturer in a Music College in Kerala. He has won several titles and awards including Kerala Sangeeth Natak Academy. Has accompanied major artists and toured abroad extensively.
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